Wednesday, November 14, 2018

Abstracted and Distracted!

Well, it's been a while again but I have been painting.  Most of it has been Christmas Cards for a forum I belong to so can't show those until they've been received by the recipients, of course.

I've also been working on a request from my dear daughter that was so totally out of my league that I felt I should ask her to get another artist!

Seriously, she has just finished remodeling her living room, kitchen, entry and bathrooms and wanted an abstract painting for the living room - a large abstract painting!

If you've paid any attention to my blog and the paintings I've posted, you know that most are relatively small paintings and about as far from abstract as you can get.  Plus, my daughter and I are pretty far apart when it comes to liking certain things.

For instance, I've never felt that she really liked any of the art I've done so was really surprised that she asked me to do a painting for her in the first place.  Then I was totally surprised when she said she loved what I'd done.

Thank God - literally - as I'd really prayed for guidance in the execution of the painting!

Anyway, here it is - not my usual style at all so hope you like it (my ever diplomatic DH said it 'grows on you').  It may not match her sofa but I do think it will look good in her living room!

It's 3feet by 2 feet, acrylic on cradled panels.

Hope to post more in the coming weeks but you know how crazy it always gets around the holidays!

Saturday, October 13, 2018

New Paintings

I've been painting up a storm lately, actually painting through two storms (Florence and Michael) when I was able, lol. 

It seems I'm either inspired to paint or not and here lately, I've been inspired.  These next three paintings were all done in oils - either alkyd oil or water soluble oil.  I like both of them and use either depending on the situation :  alkyd oil if I need fast drying or water soluble oil if I want to clean up without harsh solvents.

Anyway, here are some paintings I've recently finished:

 The calf above was painted with alkyd oils and is my first attempt at a cow, except a sort of cartoonish dairy cow I did some time ago.  This is 6x8 inches on an AlumaCorp panel.  It's prepped as I described in an earlier post and I'm thinking of adding some kind of background.

The horse was also painted on a 6x8" AlumaCorp panel but I added gesso before starting the painting to help reduce the glare.  I was amazed that even with a couple of coats of gesso, the panel still had a lovely glow.  This painting was done with water soluble oil and may look a bit splotchy as it isn't dry yet.

 This last painting was done for a challenge in a painting forum I belong to.  The challenge was to paint leaves.  Most everyone is doing fall leaves but oranges and bright yellows aren't my favorite colors so I chose this apple on a tree.  This was also somewhat of an experiment to try Julie Ford Oliver's fracturing technique.

Let's just say that a Julie Ford Oliver I'm not!  But there are aspects that I like - several leaf shapes showed up by accident and that was certainly a plus.

I have more paintings waiting to be painted so hope to see you back here again soon.

Monday, September 24, 2018

Modern Fox

I finally finished the modern fox I was carving in wood.  Or maybe I just stopped working on it!  Actually, the biggest time spent working on it was sanding.  This style sort of demanded that the finish be smooth instead of letting the carving marks show.

I put a 'barely there' finish on it that I often use for wooden frames.  This consists of half odorless thinner, half linseed oil and a dab of oil paint in the color I wanted.  In this case, it was a tiny amount of burnt sienna with the tiniest dab of bright red.  I wanted this mixture to just tint the wood instead of it being an opaque, totally covering finish.  With this finish, the wood grain shows through which I thought suited this carving.

Wood carving is good for a change of pace that helps charge the artistic atoms!  It uses a different part of the brain and it's sometimes a struggle to switch from 2-D thinking to 3-D but I think this 3-D 'practice' helps me paint better 2-D images.

I may not ever be a great wood carver but I enjoy it; it's a great stress reliever in a different way from painting and helps keep me off the streets!  lol

Wednesday, September 19, 2018

AlumaCorp Support Preparation

I've recently been experimenting with AlumaCorp aluminum painting panels. The ones I've bought have been unprimed so I thought I'd let you know what I do to prepare them for painting with oil.

I might note that the main objective in my experimenting thus far was to make the panel durable while still enabling the aluminum background to show.  Otherwise, the panels don't have to be primed.  You can see the results of the first attempt of painting on a panel primed with this method with the little hummingbird I posted HERE.

Here is the panel as I received it and the process I followed for the hummingbird panel as well as another painting which I'll show in a moment:

If you click on the photos above to enlarge, you'll see some information about the panel and that the panels have some very sharp edges!  I have not received any panel that did not need these edges filed off for safety's sake!

So, the first step is remove the protective paper on the side you want to use then take a file or some sandpaper and file or sand the edges only.  You don't want to mess up the actual surface of the panel by careless sanding.  Fortunately, it only takes a couple of swipes to blunt the edges.  This step is crucial to help save both skin and brushes!

 You may need to scuff the surface of the panel just a little to insure adhesion of your primer.  Some steel wool is probably all you'll need but be gentle with it!

After scuffing the surface, clean well with alcohol to remove any grease or fingerprints and handle the panel carefully from now on.

If you want the aluminum finish to show through your painting, I recommend Golden's GAC 100 which is a clear sealer medium for many surfaces.  I used 2 coats letting it dry thoroughly between coats.  I also used a roller and rolled the medium on in one direction (say, vertically), let dry, then rolled the second coat at right angles (horizontally).

After priming, let the panel dry for several days as per directions on the GAC 100 container.

I had fun painting the hummingbird and like the AlumaCorp panels a lot.  However, I wanted to see how the different mediums I use behaved on the panels.

This unfinished painting is an AlumaCorp panel prepared as I explained above but I used Genesis Heat Set oils on it and I don't think the panel is a good choice for these paints. 

The panels are very thin pieces of aluminum sandwiched between some kind of foamcore.  While I'm sure the aluminum can take the heat needed for the Genesis paints, the foam doesn't do so well with it.  The panel warped with the first heating and smelled awful!  Not only that, the paint crackled.  If you click on the photo to enlarge, you should be able to see what I mean by looking at the ears.

At this point, I decided to just quit working on this particular painting.  I'm sure the warping and smell was due to the foamcore center of the panel.  I'm not sure whether the crackling was due to the heat, the GAC 100 or the fact that the panel warped. 

One other thing I've found is that the glare from the aluminum makes it very difficult to see the overall painting as you work.  I was working during hurricane Florence when the days were very gloomy.  I had studio lights on with daylight bulbs and it could be that those lights weren't aimed in a way conducive to painting on the aluminum.  They didn't shine directly on the surface but whatever the cause, I found this painting very hard to see because of the glare and reflecting of the surface.

These are just my thoughts on using the panels so far.  I like a solid surface and don't like the bounce of most canvas so these panels are great for that.  I think in the future I'll either buy preprimed panels or use a colored gesso to prime and won't even try to use the bare metal as part of the painting.  I have heard that some artists scratch through the paint and primer to reveal the metal as accents in the painting and that might be a experiment for a future painting.

As to whether I use these panels on a regular basis, it will be based on cost comparisons with other supports, particularly birch or hardboard.  Since I've just gotten small samples at minimal cost to date, I'll do the comparisons when I need supports for larger paintings at a later date.

If you have any questions, I'll try to answer if you leave me a comment below!

Tuesday, September 11, 2018


crow in watercolor on Fluid hot-pressed paper - copyright Jan Gibson

Crows really intrigue  me and I find them very inventive and smart as well as numerous around here!  I've been painting them in different poses and think I've begun to build my mental muscle memory so it's a bit easier to paint them now.

However, I recently got an order which included some Fluid brand watercolor samples which I used for the above crow.  Huge mistake as I fought the paper the whole time.

Hot-pressed watercolor paper is my usual when I use watercolors but this brand did not perform like any other I've used.  I did try some colored pencil on it and it seemed to work well for that.  Too bad I donated all my quality colored pencils to our local high school!  But, good thing I only got 3 sheets of the paper to try!

And here is another watercolor crow:

crow in watercolor on Arches cold-pressed watercolor paper - copyright Jan Gibson
This crow was painted before the first one and was a fun learning experience.  However, I decided the background was too intense and tried to soften it a bit and ruined the painting!  I think the 'bones' of the painting work though and may eventually repaint it with gouache.

Or maybe not as I usually don't like to mess with a painting once I've done it once!

Friday, August 31, 2018

Hummingbird on AlumaComp Painting Panel

About this time last year I got some samples of AlumaComp aluminum painting panels at the Jerry's Artarama 'Art of the Carolinas' trade show.    I didn't quite know what to do with them at the time so I've only recently started painting on them.

First I tried using casein with Liquitex clear gesso.  I couldn't finish the painting.  I'm not sure whether it was the casein or the Liquitex gesso as I'm not fond of either!

I did want to paint so the aluminum background would show so I recently read that Golden's GAC 100 would work as a clear surface treatment.  As you can see in the following photo, it's perfect for preserving the look of the aluminum background.

Here is a painting of one of our little hummingbirds in the early morning light waiting for its turn at the nectar feeder.

Alkyd Oil on Aluminum Panel - 6x8 inches

I really like this panel when used with oil paint but I think the metallic background is a bit less effective with these hummingbird colors.  This is a female Ruby Throated hummingbird although the lighting makes it look like another species.  Also, she was all fluffed up while you usually see the birds with their feathers all neatly sleeked back and groomed.

Art of the Carolinas is coming up again in November and I may just have to get some more of these panels or mail order even sooner!  It's so nice when a new support (& new toy) works as well as you'd hoped!

Monday, August 13, 2018

High Seas And Ground Clutter

I've been really trying to be disciplined and paint every day but in spite of the best intentions, it doesn't always happen.

But I've made tiny inroads for the past week or so and painted a seascape for my niece and a basket of tomatoes from our garden.

The seascape is acrylic on board and the basket of tomatoes (I call it Basket of Summer) is gouache on Arches watercolor paper. 

The basket of tomatoes was for a challenge at an art group I belong to and isn't as finished as I'd like.  I hope to paint it again in the future though.

I'm still plugging away at an oil painting of a fox and another seascape so look for updates in the near future!